Their influence however must not be underestimated. Perhaps more than any other melodic death metal band, they have also had a remarkably apparent influence on the boom of American metalcore in the early 2000s, with such bands as Killswitch Engage, Unearth and particularly Trivium taking direct influence and appropriating the band’s flair for juddering rhythms and electrifying melody.

Natural Born Chaos Soilwork. Type: Full-length. Natural Born Chaos 04:08 Show lyrics. Natural Born Perfection: 100%: raZe.

Their work has even infiltrated the mainstream, as commercial heavyweights such as Avenged Sevenfold and Bullet for My Valentine have taken direct influence. Omnis 7 serial number. They may not have been the originators, but Soilwork managed to wrangle a complex and whirling form of extreme metal and given it life in the limelight, despite not entirely enjoying such commercial success themselves. Despite this, Soilwork could never boast about their consistency. While “ Natural Born Chaos”, “ Figure Number Five” and “ Stabbing the Drama” each helped establish them as one of the leading lights of melodic death metal, the two following albums showed Soilwork making a beeline for the mainstream.

Perhaps following in the footsteps of Dark Tranquillity, who embraced clean vocals and a gothic sheen, and In Flames, who explored alternative metal like that of Deftones, Soilwork began to take from the metalcore bands they had previously influenced. Both “ Sworn to a Great Divide” and “ The Panic Broadcast” felt derivative rather than defiant, and there was a worry that Soilwork were to fade from former glories, much like their contemporaries. However, 2013 saw a tremendous return to form with the ambitious double-record “ The Living Infinite”. Embracing their early victories and taking that formula into exciting new territory, the 20-song set helped establish Soilwork as a great band once again and quashed all doubt of their quality. It remains as one of the finest albums in their career Soilwork in good stead for the future.

This campaign was furthered with the excellent 2016 effort “ The Ride Majestic”, which was a leaner, meaner release than its predecessor and was welcomed by fans and critics alike. Improving on the progress made on “ The Living Infinite”, the band made what was perhaps their most effective and successful album to date. The performances on this album are absolutely superb, from the opening moments of the instrumental title track, with it’s curious slide-guitar over tribal-drums aesthetic to the glorious string-bends which close the album, the band are on astounding form. This is the first album with Bastian Thusgaard, who has inherited the drum stool following the departure of Dirk Verbeuren who has recently become the full-time drummer for Megadeth, and he proves himself with an exceptional performance. Fiery and fluid, the percussion on this album mercifully swerves the traps that often laid within this style of music of feeling contrived and repetitive. It bolsters the album along and gives it a sense of pace that allows the album to feel light on its feet while also accenting the heavier passages. The instrumentation is well-performed and tastefully composed, but perhaps the most impressive work on this album comes from vocalist Bjorn Strid, who has continued to improve album-on-album, with “ Verkligheten” perhaps being his most accomplished performance yet.

In a 20+ year career, to see a vocalist (particularly in metal) continuing to improve his craft is a rare thing. His screeches are furious and his cleans serene; it’s not a new formula, but when it is done to a high standard it remains refreshing. However, the album isn’t flawless. Perhaps most interestingly though, the primary flaws of this album are not really the fault of the band. The production job on the album, while complimenting the sweeter, more melodic passages of the album, can’t help but make certain passages feel less savage than they ought to. It’s far cleaner than it ought to be, and this is a pandemic among these types of bands; many of them appear afraid to embrace gritty production jobs, despite the fact that they would be far improved for it.

The band are their most electrifying when they let themselves off the leash and sound positively rabid, and at times it feels as though the band are restraining themselves. Closing track “ You Aquiver”, while boasting some joyous melodies, does occasionally stray too far into Final-Fantasy territory, which is far from Soilwork playing to their strengths. It’s a markedly less-heavy album than what the band have put out recently, which isn’t inherently a bad thing, but it does show Soilwork moving away from the sweet-spot ever so slightly.

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