From what I've seen, it doesn't have a ton of mistakes, but there are still a few and some of them are pretty bad as far as representing what he's actually doing. Overall it's a good book if you like having something to read along to and don't take it 100% for granted, note for note. The songs you listed only use 6 strings except FTLOG, which has about 3 notes on the low B that you can simulate with a little whammy bar drop if you want, and which Vai changes up and stays an octave higher live.

Blue Powder is also a 6, and the Animal is too (he uses a sub-5th harmonizer on a 6 string to make the lower notes that sound like 7-string range). He actually used a Universe for most of the record so the '6 string' songs aren't really all played on a 6, they just don't use the low B. I think Sisters was on a Jem for sure, he said that in an interview. Bakerman wrote:From what I've seen, it doesn't have a ton of mistakes, but there are still a few and some of them are pretty bad as far as representing what he's actually doing.

Overall it's a good book if you like having something to read along to and don't take it 100% for granted, note for note. The songs you listed only use 6 strings except FTLOG, which has about 3 notes on the low B that you can simulate with a little whammy bar drop if you want, and which Vai changes up and stays an octave higher live. Blue Powder is also a 6, and the Animal is too (he uses a sub-5th harmonizer on a 6 string to make the lower notes that sound like 7-string range). He actually used a Universe for most of the record so the '6 string' songs aren't really all played on a 6, they just don't use the low B. I think Sisters was on a Jem for sure, he said that in an interview. There aren't many 6 strings songs (i have a seven string now, 5 yrs after i bought the book so im finally happpy) actually bakerman, while youre 'here'.

Do you happen to know if that last tapping super run at the end of 'blue powder' is correcT? Ive been working on it and ive got it up to speed, but its very hard to hear whats happening in the song. Most of it sounds right, but the middle section gets buried in the mix, so its really hard to hear if what im playing is right or not.

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Just a thought. Did you end up seeing the outcome of my m.romeo thread? If you didn't, turns out the tapping run is actually from 'smoke and mirrors' not 'out of the ashes'.

I only realised that later though - and they truly are exactly the same. Saw that about the MR lick, funny how the other one was still close in the diminished taps. I haven't heard Smoke & Mirrors but will assume it was actually the same thing shifted down. The BP end seems pretty close, right off the bat the only thing I noticed was that he hammers on a note with the LH often instead of tapping the next string, say it's t17p15p14p12 on the high E, then the next thing on the B is h15t17p15p13p12. So in that sense there are probably some small differences in the tab and performance the overall positions and strings uses look ok.

Bakerman wrote:Saw that about the MR lick, funny how the other one was still close in the diminished taps. I haven't heard Smoke & Mirrors but will assume it was actually the same thing shifted down.